Angelique's AS Film Studies Blog

Monday, 29 February 2016

'What Richard did' - Weekly Film Analysis


PRODUCED IN: 2013

RELEASED IN: 2013

TYPE: Feature

GENRE: Crime, Drama, Coming of age

CERTIFICATE: 15

RUNNING TIME: 88 minutes

FILMING LOCATION: Ireland

LANGUAGE: English, Irish

DIRECTED BY: Lenny Abrahamson

PRODUCED BY: Ed Guiney

WRITTEN BY: Malcolm Campbell 

PRODUCTION COMPANY: Element pictures

DISTRIBUTED BY: Irish film board

CINEMATOGRAPHY: David Grennan

EDITING: Nathan Nugent

MUSIC BY: Stephen Rennicks

KEY CAST MEMBERS: Jack Reynor

THEMES: Romance, friendship, guilt, greed, regret

NARRATIVE: 

KEY SCENES: 

COMPARABLES:

OTHER: 

Monday, 22 February 2016

'Inglourious Basterds' and 'Miracle at St. Anna' - Analytical Comparison





‘Inglourious Basterds’ (2009) is a universal studios action thriller written and directed by Quentin Tarantino, starring Brad Pitt, Christoph Waltz, Diane Kruger and Melanie Laurent. The film is set in 1941 (Chapter 1), then june 1944 (Chapter 3) in Nazi occupied France.

Inglourious Basterds was produced by Lawrence Bender, William Paul Clark and Christoph Fisser with a budget of around $70 million and $322 million worldwide, making it a huge success.

The main themes of the film include war, violence, survival, death, courage, conspiracy and deception and as well as its’ action thriller genre, Inglourious Basterds also includes many elements of the comedy genre, in particular black comedy, due to the dark humour and it’s morbid sources.

In contrast to this, ‘Miracle At St. Anna’ was released in 2008, and is a Touchstone Pictures war drama directed by Spike Lee. The film stars Laz Alonso, Derek Luke and Michael Ealy, amongst others.

Miracle At St. Anna is based on James McBride’s 2001 novel of the same name, and he also wrote the screenplay for the film.

The film begins in Harlem, New York in 1983, however the majority of the film is a flashback to 1944 in Italy during the second World War and is therefore a multi - time period film.

Many of the main themes of the film such as war, violence, survival, death, courage and deception are very similar to that of Inglourious Basterds, however, other themes that are present in Miracle at St. Anna which are less evident in Inglourious Basterds include friendship, struggle and mystery.

Miracle At St. Anna had a budget of $45 million but sadly only made $9 million at the box office. The producers of Miracle At St. Anna were Spike Lee, Roberto Cicutto and Luigi Musini and it was distributed by Walt Disney Studios.

One of the first and most apparent similarities we can draw between these two films from the offset is the fact that the majority of both films are set in 1944, during WW2, which would therefore naturally lead to further similarities in terms of the context and plot.

However, we can also already identify a key difference between the two films already; that of the setting. Inglourious Basterds is set in France and Miracle at St Anna in Italy and the United states.

Likewise, it is clearly to see from the opening sequences of the films that the narrative through which they are both told is very different.

In conclusion therefore, it is clear to see that there are many similarities and differences between the two films in terms of narrative, genre, production and perhaps the most evidently, in the way in which the films were received.

Sunday, 7 February 2016

'Buried' - Weekly Film Analysis


RELEASED IN: 2010

TYPE: Feature

GENRE: Thriller, Horror, Mystery, Crime, Drama

CERTIFICATE: 15

RUNNING TIME: 95 mins

FILMING LOCATION: Spain/USA

LANGUAGE: English

DIRECTED BY: Rodrigo Cortez

PRODUCED BY: Adrian Guerra and Peter Safran

WRITTEN BY: Chris Sparling

PRODUCTION COMPANY: The Safran Company, Versus Entertainment, Dark Trick Films

DISTRIBUTED BY: Lionsgate

CINEMATOGRAPHY: Eduard Grau

EDITING: Rodrigo Cortes

MUSIC BY: Victor Reyes

KEY CAST MEMBERS: Ryan Reynolds

AWARDS: Won the 'Best European Film of the Year' award at the Strasbourg European Fantastic Film Festival in September 2010.

BUDGET: $2,000,000

BOX OFFICE: $19,100,000

THEMES: Death, struggle, pain, endurance, loss, horror


NARRATIVE: It is told with a real - time linear structure with one moment of an almost dream-like sequence where the protagonist, Paul Conroy is imagining being rescued, it then flashes back to the harsh and brutal reality of his situation; he is never getting out. This dream sequence is the first time where light/whitish tones are used, this is because this sequence is the first glimpse of positivity or happiness within the film, which is ironic since it is the only bit that’s not real, both of which are connotations of such light colours. In the rest of the film however, the tones used are predominantly dark/black and orange/red tones, both of which connote negativity, anger, danger, horror and death.


‘Buried’ is a single set production which means the whole film is set in one pitch black coffin buried underground, potentially making it very difficult to keep an audience engaged for a full 95 minutes. However, through the use of microfeatures, the filmmakers clearly do manage to keep an audience entertained as we can see from the high number of good reviews critics have given it.


One of the main micro features which keeps the audience engaged and creates meaning within the film is sound. This is because, since the entirety of the film is shot in one set, and uses little to no light or colour, sound is a very important part of the film. From his heavy breathing, shouting and crying, to the sound of the kidnapper and rescuer over the phone, the use of sound is vital in the characterisation of Paul and the other characters, and in telling the story to and engaging the audience.


KEY SCENES:


  • Where he first wakes up in the coffin. For this sets the scene and helps the audience understand where he is and what’s happening.
  • When he makes his first few calls and everyone he manages to get hold of is no help to him. Because this creates an increasing sense of hopelessness and terror.
  • When the snake enters the coffin and the sand begins to pour in. As this adds yet another sense of horror to the scene.
  • When the kidnapper asks him to film a video of him cutting off his finger. For Paul’s compliance shows the audience how desperate he has become.
  • When Dan tells him they’re going to save him so he calls his wife and tells her he’s coming home. Because this gives the audience a much wanted wanted sense of hope and happiness.
  • When Dan calls to say he’s sorry but they got the wrong location. As we now know Paul is doomed for his death.


COMPARABLES:


Although this is a very unusual premise for a film, and the narrative of the film is unlike anything I have seen before, the in terms of the plot there is one film I have seen which is based around a similar idea. This film is George Sluizer’s 1990‘ The Vanishing’.


The similarities between the two films include the fact that both films include someone being buried alive and waking up in a coffin, doomed to their death. However, there are some major differences between them. First of all, ‘The Vanishing’ has several settings including that of a petrol station, car and many others and therefore includes several other on set characters that the audience can see. However, ‘Buried’ which is set in just one place and therefore all characters except the protagonist are only heard, never seen throughout the film. Furthermore, the colour tones within ‘The Vanishing’ vary throughout in order to represent different emotions and points in time, whereas in ‘Buried’ the whole film is shot with black, and occasionally orange, colour tones.


Overall, both films are equally as effective in creating a scary and sinister mood, relevant to the thriller genre, they just do this through two rather different narratives.


OTHER:

It is interesting to note that Alfred Hitchcock’s films Rope (1948) and Lifeboat (1944) were an inspiration to Rodrigo Cortes when making ‘Buried’ and that the entire film was shot in one studio in 17 days.

'71 - Info


TITLE
‘71
IMAGE
PRODUCED IN
2014
RELEASED IN
2014
TYPE
Feature
GENRE
Action, Drama, Thriller
CERTIFICATE
R
RUNNING TIME
1h 39min
FILMING LOCATION
England (Lancashire)
LANGUAGE
English
DIRECTED BY
Yann Demange
PRODUCED BY
Angus Lamont, Robin Gutch
WRITTEN BY
Gregory Burke
PRODUCTION COMPANY
Crab Apple Films, Protagonist Pictures, Warp Films
DISTRIBUTED BY
Roadside Attractions (USA), Studio Canal (UK), Black Label Media (USA)
CINEMATOGRAPHY
Tat Radcliffe
EDITING
Chris Wyatt
MUSIC BY
David Holmes
KEY CAST MEMBERS
Jack O’Connell, Sam Reid, Sean Harris
AWARDS
Athens International Film Festival:
  • Best Picture (2014)
BAFTA Awards, Scotland:
  • Best Writer - Film/Television
Berlin International Film Festival:
  • Prize of the Ecumencial Jury - Special Mention
British Independent Film Award:
  • Best Director
  • Best British Independent Film
  • Best Screenplay
  • Best Actor
BUDGET
£8,100,000
BOX OFFICE
£2,000,000
THEMES
War, violence, conflict, loneliness, death.

My Brother The Devil - Info


TITLE
MY BROTHER THE DEVIL
IMAGE
PRODUCED IN
2012
RELEASED IN
2012
TYPE
Feature
GENRE
Social Realism, Coming of Age, Drama
CERTIFICATE
Not Rated
RUNNING TIME
1h 51min
FILMING LOCATION
England (Hackney)
LANGUAGE
English
DIRECTED BY
Sally El Hosaini
PRODUCED BY
Gayle Griffiths, Michael Sackler, Julia Godzinskaya
WRITTEN BY
Sally El Hosaini
PRODUCTION COMPANY
Rooks Nest Entertainment, Wild Horses Film Company, Film-Clinic, Blood Brothers Films
DISTRIBUTED BY
Paladin (USA), Verve Pictures (UK), 108 Media (USA)
CINEMATOGRAPHY
David Raedeker
EDITING
Iain Kitching
MUSIC BY
Stuart Earl
KEY CAST MEMBERS
James Floyd, Fady Elsayed, Elarica Gallacher
AWARDS
Annonay International Festival of First Films:
  • Audience Award (2013)
Berlin International Film Festival (2012)
British Film Institute Awards:
  • Most Promising Newcomer (2012)
BUDGET
£650,000
BOX OFFICE
£800,000
THEMES
Family, crime, violence, poverty, trust, betrayal and social class.

The Selfish Giant - Info


TITLE
THE SELFISH GIANT
IMAGE
PRODUCED IN
2013
RELEASED IN
2013
TYPE
Feature
GENRE
Drama
CERTIFICATE
15
RUNNING TIME
1h 31min
FILMING LOCATION
UK (Bradford)
LANGUAGE
English
DIRECTED BY
Clio Barnard
PRODUCED BY
Katherine Butler, Lizzie Francke, Tracy O’Riordan
WRITTEN BY
Clio Barnard (inspired by Oscar Wilde)
PRODUCTION COMPANY
British Film Institute (BFI), Film 4, Moonspun Films
DISTRIBUTED BY
Film 4 (UK), Rialto Distribution (Australia, New Zealand), Canibal Networks (Mexico), Cinéart (Netherlands), Pyramide Distribution (France), StraDa Films (Greece), Sundance Selects (USA), Angel Films (Denmark), Film1 (Netherlands), Front Row Filmed Entertainment (United Arab Emirates, Middle East, North Africa & Iran)
CINEMATOGRAPHY
Mike Eley
EDITING
Nick Fenton
MUSIC BY
Harry Escott
KEY CAST MEMBERS
Conner Chapman, Shaun Thomas, Ralph Ineson
AWARDS
British Independent Film Award:
  • Best Technical Achievement (2013)
Cannes Film Festival (2013)
Film Club’s the Lost Weekend:
  • Best Supporting Actor (2014)
BUDGET
£1,400,000
BOX OFFICE
£700,000
THEMES
Friendship, poverty, exploitation, violence, abuse, struggle, selfishness.
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